With its impressive sweep and density, Clark’s work triumphantly clears the second-novel hurdle. Don’t miss it.
Big, boisterous and hugely enjoyable, Clark’s second tracks the wild ride of a disgraced preacher across an American heartland pockmarked by scams and rackets.
Two lousy kisses. That’s all it took, plus some rigged DNA, to end Joel King’s marriage and ministry. Joel, a well-liked Baptist in Roanoke, Virginia, had unfortunately exchanged kisses, on church premises, with Christy Darden, the most gorgeous, pampered, sluttish, and conniving 17-year-old in all Virginia (Clark paints her with a wicked glee). The unworldly minister has pled guilty to misdemeanor charges and done six months of jail time, little realizing he was an entrapment victim. He emerges from jail penniless, only to be served with divorce papers and Christy’s civil suit for five million, while all he has is a ride to his sister’s place in Missoula, Montana. His driver is a businessman, Edmund Brooks, a loyal member of his congregation. En route, Edmund proposes that Joel join him and his partner, a black lawyer in Las Vegas, in a scheme to defraud insurance companies. The deal hinges on “borrowing” high-priced jewelry. Joel, a good and honest man, immediately declines. In Missoula, he joins Sophie, a struggling single parent, and her small son. There, he finds two low-end jobs, but sheer economic necessity drives him to accept Edmund’s offer. What follows is a heist that goes wrong, and eventually Joel is confronted by FBI agents. Meanwhile, before their depositions, he is desperately trying to work out a deal with the utterly untrustworthy Christy. All this is as hilarious and exciting as Clark’s debut (The Many Aspects of Mobile Home Living, 2000); but in this “grown man’s coming-of-age story,” the author takes that caper to another level. Joel’s spiritual struggle is unremitting in a world where the black and white hats don’t divide cleanly: Edmund is a likable rogue, while Joel’s probation officer, working his own racket, is total slime.
With its impressive sweep and density, Clark’s work triumphantly clears the second-novel hurdle. Don’t miss it.Pub Date: May 4, 2004
ISBN: 1-4000-4096-5
Page Count: 432
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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