GUILTY CREATURES

Fourteen more-or-less golden-age mystery stories, originally published between 1918 and 1967, featuring animals in a wide range of roles.

The title is something of a misnomer, since most of the nonhuman creatures turn out to be quite innocent. The title character in Arthur Conan Doyle’s “The Adventure of the Lion’s Mane,” the only story Sherlock Holmes narrates himself, is certainly guilty, and the jackdaw in Mary Fitt’s “The Man Who Shot Birds” will have some awkward questions to answer. But the monkey man in Headon Hill’s “The Sapient Monkey,” the retriever in G.K. Chesterton’s masterly “The Oracle of the Dog,” the apparently thieving fly in Vincent Cornier’s “The Courtyard of the Fly,” the slugs in H.C. Bailey’s old-fashioned yet strikingly contemporary “The Yellow Slugs,” and the cat in Clifford Witting’s admirably concise one-off “Hanging by a Hair” offer clues or red herrings instead of violence. The snakes in Garnett Radcliffe’s “Pit of Screams” and the dogs in Penelope Wallace’s “The Man Who Loved Animals” are collateral agents, not true malefactors. The racehorse threatened with doping in Arthur Morrison’s “The Case of Janissary”; the lowly worms in Edgar Wallace’s “The Man Who Hated Earthworms,” featuring more summary justice administered by the “four just men”; and the vanished baby gorilla in Josephine Bell’s “Death in a Cage” are all victims, not perpetrators. In a fitting sendoff to the volume, the title characters in Christianna Brand’s miraculously compressed “The Hornet’s Nest,” which poses multiple solutions to the wedding-day poisoning of a poisonous bridegroom, remain a decorously offstage metaphor.

An unusually rewarding anthology whose most dangerous species remain Homo sapiens.