Next book

THE YELLOW HOUSE

VAN GOGH, GAUGUIN, AND NINE TURBULENT WEEKS IN ARLES

Lucid and learned and propelled by a piercing dramatic irony.

In the fall and early winter of 1888, Vincent van Gogh and Paul Gauguin shared a studio in a yellow house in the south of France. Result? Much painting and whoring and, at the end, a meltdown and an ear-slicing.

Gayford (co-editor of the Grove Book of Art Writing and chief art critic for Bloomberg News) has crafted a brisk, engaging narrative about the brief co-habitation of two of the world’s most celebrated painters. Although the author focuses more frequently on the mercurial van Gogh and his varied vagaries, Gauguin comes off well, and the many reproductions offered here of the works he produced during his time with van Gogh form an eloquent testimony to his genius. Gauguin also emerges as a tolerant man who recognized the prodigious and prolific talent of his friend and endured the tortured Dutchman as long as possible. Things started well that remarkable fall. The two took walks, painted common subjects, visited local museums, read books together (Zola, for instance), visited the local prostitutes regularly, agreed on the splendors of Delacroix, argued about the merits of other painters. Gauguin’s career accelerated during the period (he sold several paintings through the offices of Theo van Gogh, the painter’s brother), occasioning some anxiety in Vincent, who was not doing so well. The bonhomie eventually weakened, and when van Gogh sliced off his ear (or a part thereof), Gauguin, after helping rescue his friend, entrained for Paris; the two never saw each other again. Gayford’s principal interest is with the paintings. He discusses the major ones (and some of the minor) with great care and sensitivity and sees in the artists’ work some cross-fertilization. The author ends with the deaths of all involved and speculates that van Gogh suffered from bipolar disorder.

Lucid and learned and propelled by a piercing dramatic irony.

Pub Date: Nov. 14, 2006

ISBN: 0-316-76901-0

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2006

Next book

THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Close Quickview