by Martin Gilbert ‧ RELEASE DATE: May 8, 1995
For all the drama inherent in the story of WW II's end, this is one of the noted British historian's least interesting books. Gilbert (The First World War, 1994, etc.) bases his account of the day the war ended on contemporary letters, documents, newspapers, diaries, memoirs, histories, and the recollections of 190 individuals he contacted while working on the book. He contributes new vignettes but little that alters existing perceptions. Still, the scale of the event remains awe-inspiring: This was the most destructive war in history; on an average, more than 20,000 people, soldiers and civilians, were killed each day, the same number killed on the first day of the Battle of the Somme in 1916. The liberation in April 1945 of the Belsen concentration camp, with its huge mounds of unburied bodies and skeletal survivors, was a moment that, Gilbert rightly argues, transformed the Allied perception of the war. Pointing up a detail that has escaped general notice, however, he records that one American lieutenant, immediately after entering Dachau and seeing the corpses there, machine-gunned 346 SS guards after they gave themselves up. There was the usual maneuvering about where and when the German surrender would be signed and announced: It was signed in Reims early on the morning of May 7 by General Alfred Jodl, but was not announced until May 8 by Britain and the United States, and on May 9 by Stalin. The aftermath was filled with jubilation, tragedy, and the grotesque: jubilation as millions celebrated; tragedy as hundreds of thousands of Russians were forcibly returned by the Allies, France even allowing NKVD commissions to travel through the country in search of non-returnees; and elements of the grotesque, as Ireland's president made an official visit of condolence to the German embassy after Hitler's death. Rich in incident and anecdote, but Gilbert turns over soil already so thoroughly mined that it is hard to find a nugget.
Pub Date: May 8, 1995
ISBN: 0-8050-3926-0
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1995
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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