For all the drama inherent in the story of WW II's end, this is one of the noted British historian's least interesting books. Gilbert (The First World War, 1994, etc.) bases his account of the day the war ended on contemporary letters, documents, newspapers, diaries, memoirs, histories, and the recollections of 190 individuals he contacted while working on the book. He contributes new vignettes but little that alters existing perceptions. Still, the scale of the event remains awe-inspiring: This was the most destructive war in history; on an average, more than 20,000 people, soldiers and civilians, were killed each day, the same number killed on the first day of the Battle of the Somme in 1916. The liberation in April 1945 of the Belsen concentration camp, with its huge mounds of unburied bodies and skeletal survivors, was a moment that, Gilbert rightly argues, transformed the Allied perception of the war. Pointing up a detail that has escaped general notice, however, he records that one American lieutenant, immediately after entering Dachau and seeing the corpses there, machine-gunned 346 SS guards after they gave themselves up. There was the usual maneuvering about where and when the German surrender would be signed and announced: It was signed in Reims early on the morning of May 7 by General Alfred Jodl, but was not announced until May 8 by Britain and the United States, and on May 9 by Stalin. The aftermath was filled with jubilation, tragedy, and the grotesque: jubilation as millions celebrated; tragedy as hundreds of thousands of Russians were forcibly returned by the Allies, France even allowing NKVD commissions to travel through the country in search of non-returnees; and elements of the grotesque, as Ireland's president made an official visit of condolence to the German embassy after Hitler's death. Rich in incident and anecdote, but Gilbert turns over soil already so thoroughly mined that it is hard to find a nugget.
Pub Date: May 8, 1995
ISBN: 0-8050-3926-0
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1995
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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