An expertly structured, morally complicated, and surprisingly timely blend of fact and fiction.
An intimate, sidelong look at Argentina's bloodiest dictatorship.
In this fictionalized retelling of the regime that terrorized Argentina from 1976-'83, composed as a triptych, Kohan depicts its mental and emotional impacts on the everyday people of his home country. The opening section, "Mercedes," recounts the sexual awakening of 12-year-old Mirta López in 1941 and her repeated attempts to absolve her "wicked thoughts" within the dark confessional booth of uncomfortably curious Father Suñé (“And what exactly did you feel while you were doing it?”). The catalyst for Mirta's newfound urges is none other than future brutal dictator Jorge Rafaél Videla, referred to only as "the Videlas’ eldest son," who passes Mirta's house on a predictable route, affording her a view from a conveniently situated armchair. Eventually, Mirta ventures outside and attempts to cross paths—but never interact—with the boy, until one day at Mass he unexpectedly sits next to her and Mirta's lust reaches a surreptitious culmination right there in the pew. Hinting descriptions of Argentina's "old water cartography, canals and bends, unspoken tunnels" punctuate the first section and link it to the second, "Airport," which details an attempt by Marxist guerrillas to assassinate Videla nearly 40 years later as his airplane takes off. The pseudonymous operatives access the underground waterways of Buenos Aires to plant dynamite beneath a runway, but one crucial explosive fails to detonate. The final section, "Plaza Mayor," recounts a game of cards between the elderly Mirta López and her grandson as a foggy, circuitous conversation about the past unfolds. Propulsive and unsparing, Kohan's prose mimics the uncertainties of history and suggests that truth resides somewhere between official record and popular memory and that reality is thorny, ambiguous, and fully human in its messiness.
An expertly structured, morally complicated, and surprisingly timely blend of fact and fiction.Pub Date: Sept. 5, 2023
ISBN: 9781913867652
Page Count: 150
Publisher: Charco Press
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: yesterday
Kirkus Reviews Issue: Aug. 1, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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