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THE RADICAL KING

Though many of the entries are familiar, this useful collection takes King from the front lines of Southern segregation to a...

A reframing of Martin Luther King Jr.’s legacy to celebrate his political radicalism.

As the civil rights movement was shifting more toward Black Power militancy, King was occasionally criticized as a moderate whose nonviolent philosophy needed to give way to a more confrontational style, one that seemed more in tune with the tenor of the times and the temper of younger activists. As editor and annotator, the provocative scholar West (Black Prophetic Fire, 2014, etc.) maintains that King and Malcolm X, for example, were becoming allies rather than remaining polarities as black leaders and that King’s leadership was not only more radical than frequently recognized, but also more pragmatic and visionary.  From sermons and speeches to the “Letter from Birmingham Jail,” much of this material is oft-anthologized, with the chronological context showing the intellectual and philosophical progression of a leader who was more radical than many suspected from the start. Tributes to W.E.B. Du Bois and Norman Thomas reinforce King’s radical sympathies, as do his reflections on reading Marx (he was ambivalent about both communism and capitalism). “King and [Nelson] Mandela are the two towering figures in the past fifty years in the world,” writes West. “Both have been Santa Clausified—tamed, domesticated, sanitized, and sterilized—into nonthreatening and smiling old men….Yet both were radical and revolutionary.” Permeating the collection is the theme of “radical love,” distinguishing King from those who preached hate toward the white oppressor or saw no place for whites in the fight for equality. “The aftermath of violence is always bitterness,” he preached in a sermon on Gandhi. “The aftermath of nonviolence is the creation of…a new love and a new understanding and a new relationship…between the oppressed and the oppressor.”

Though many of the entries are familiar, this useful collection takes King from the front lines of Southern segregation to a national movement for economic equality to an international condemnation of imperialism and armed intervention.

Pub Date: Jan. 13, 2015

ISBN: 978-0807012826

Page Count: 312

Publisher: Beacon Press

Review Posted Online: Oct. 19, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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