A thoughtful and thought-filled stroll down a life’s Memory Lane.
An optimistic approach to considering the dismal science and life in general may be an economist’s dream.
On the eve of a guest lecture she's set to deliver—to an audience whose identity is never fully revealed—economics professor Abby wrestles with thorny theoretical issues and a few problems closer to home. Having recently learned that she's been denied tenure, Abby ponders her family’s future (social and economic) as well as the opportunities and occurrences which have culminated in this night of insomnia in a mediocre hotel room. Worried about remembering all the points of her lecture on John Maynard Keynes’ 1930 essay “Economic Possibilities for Our Grandchildren,” she uses the loci method of memorization and attempts to create visual associations between parts of her speech and specific locations within her family’s home. Accompanying her on the mental walk-through is Keynes himself (a circumstance that goes unnoticed by her sleeping husband and daughter). The essay in question is intimately entangled with Abby’s professional life and, perhaps, also her personal life, as Keynes argued for a certain optimism in the face of the “Great Slump” facing England at the time of its writing. Abby’s thesis is that rather than predicting a utopian sort of future for England, Keynes was using rhetoric to encourage alternate visions; unfortunately, her hypothesis leads neither to tenure nor a bestselling book. Keynes proves to be an amiable and encouraging companion on Abby’s tortured traipse through the memory palace she has constructed. Addressing her as “Abigail,” the revered economist urges her to liven up the speech with “pixie dust” details about his life and provides other clarifying advice as well in this unique novel of ideas.
A thoughtful and thought-filled stroll down a life’s Memory Lane.Pub Date: Jan. 24, 2023
ISBN: 978-0-8021-6041-6
Page Count: 256
Publisher: Black Cat/Grove
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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