A true vaudevillian, Short is always on as he delivers funny anecdotes from a diffuse and storied career.
Actor, singer and spasmodic funnyman Short delivers a memoir with cameos by his famous characters.
The youngest of five children, Short (b. 1950) credits his quick wit to a Darwinian struggle for the last word at family dinners, as the children battled the acerbic sarcasm of their father. A precocious child, the author would record his own bedroom variety show, but he’d never considered show business a legitimate future until his senior year of college, when he gave himself a year to pursue his dream. Luckily, Short got his first big break as part of the Toronto production of the off-Broadway smash Godspell. Short even boasts the scene had a “Paris-in-the-’20s thing going on” due to all the would-be stars that were around, including John Candy, Catherine O’Hara, Eugene Levy, Gilda Radner, Dan Ackroyd and Paul Shaffer. Most of them were associated with Godspell or with the comedy group Second City, which Short would later join, eventually landing on Saturday Night Live and then beginning a film career. For all his success, Short notes with genuine pathos that it wasn’t without sacrifice; he suffered the losses of his oldest brother, mother and father all by the time he was 20. He also recounts the loss of his beloved wife to cancer. Ever positive, he reflects that these tragedies gave him a fearlessness about life. Though he was tenacious, Short jokes that his tombstone will bear only the word “Almost,” as her never quite ascended to official movie stardom. Matching the successes of films like Three Amigos and Father of the Bride were misses like Clifford and a daytime talk show that failed to be the career second coming Short imagined. He experiences all this doubt despite winning an Emmy and a Tony, which again only proves his drive and versatility, rightfully earning him the nickname “Mr. Entertainment.”
A true vaudevillian, Short is always on as he delivers funny anecdotes from a diffuse and storied career.Pub Date: Nov. 4, 2014
ISBN: 978-0062309525
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 27, 2014
Kirkus Reviews Issue: Oct. 15, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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