A page-turner that runs aground on a shoal of stereotype.
Two teens run away to a better life—temporarily.
Gloria Ellis, a self-described 15-year-old white girl, has “a nagging sense of restlessness. Of dissatisfaction” with her life—as created by her discontented parents—at Litchbury High in Yorkshire when “posh-spoken, polite,” and slightly androgynous new student Uman Padeem strolls into her classroom, defies the instructor, and asks her best friend to sit somewhere else so he can sit next to Gloria. Uman, who is also 15 and describes himself as “Mediterranean and Middle Eastern, basically,” further flatters Gloria by glomming onto her wit, loneliness, and yearning and subtly manipulates her. And she is, as her instructor gently reproaches, “in his thrall.” Even though Gloria suspects that Uman’s story about himself doesn’t jell, she agrees to run away with him. Her initial exhilaration goes flat, starting with the recognition that, as they venture further into the rural parts of the country, as “a dark-skinned guy with a white girl,” they would attract attention. Even as Bedford turns the story on the gripping device of a detective interrogating Gloria about her two-week disappearance with Uman, he fails to interrogate his own treatment of Uman as a character. Uman never really moves beyond inscrutable and exotic, the creepily flattering boyfriend, which reinforces the stereotype of the Middle Eastern man luring away white women to their disgrace, if not peril.
A page-turner that runs aground on a shoal of stereotype. (Thriller. 14-18)Pub Date: April 12, 2016
ISBN: 978-0-553-53939-4
Page Count: 288
Publisher: Wendy Lamb/Random
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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