by Marvin Mondlin & Roy Meador ‧ RELEASE DATE: Jan. 1, 2004
Priceless items shelved alongside pap and pulp. (16 pp. b&w photos)
Fond, nostalgic account of the rise and fall of the secondhand- and rare-book sellers who once clustered on and around Manhattan’s Fourth Avenue.
At times as dusty and disarrayed as one of those shops, this survey begins with a snapshot of the seven-block region that served as home to several dozen stores. Mondlin, estate book buyer for the Strand, and freelance writer Meador interviewed scores of bookstore owners, employees, patrons, and neighbors; they scoured old periodicals for stories on Book Row and gathered a plethora of detail and anecdote. (However, an appendix listing shops, addresses, owners, and dates of operation is notably and regrettably missing.) They have done book-lovers a grand service by profiling the men and women who established these legendary ventures, starting with George D. Smith, whose acumen helped Henry E. Huntington acquire his eponymous library in California. Smith opened a shop on Broadway in the 1890s and held sway for 30 years. Subsequent chapters deal with various dealers grouped together for assorted reasons including chronology, kinship, marriage, and even like-sounding names—Jack Biblo and Jack Tannen eventually joined forces to maintain what Mondlin and Meador call “one of New York’s finest bookstores in the 1960s and 1970s.” The authors explore the conditions that gave rise to the shops (lots of books, low rents) and offer reasons for their disappearance in the ’70s and ’80s (rising rents, diminishing numbers of book-lovers), though they see the Internet as a new boon to the business. A long paean to the Strand that reads more like ad copy than analysis is typical of a text in which weaknesses compete with strengths for dominance throughout. A perfect detail or poignant anecdote is sometimes followed by such eye-glazingly trite comments as, “The great finds at Dauber & Pine are no more, but still great are the memories.” Equally numbing is the formulaic arrangement of chapters: introduction, biography of the dealer(s), rise and fall of the shop(s), nostalgic phrases of farewell.
Priceless items shelved alongside pap and pulp. (16 pp. b&w photos)Pub Date: Jan. 1, 2004
ISBN: 0-7867-1305-4
Page Count: 426
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2003
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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