MORTAL REMAINS

Lily knows how to care for the dead, but what about the living?

In her greater Bay Area town, scarred and scared 18-year-old Lily—long teased for being the daughter of a mortician, nearly killed and still limping after a serious fall from a tree years earlier—finds it easier to relate to the dead people she prepares for burial than to her (centrally cast) best friend or recent high school–graduate stepbrother. Lily, who avoids social situations, dropped out of school after 11th grade and now has her GED diploma. Her genuine compassion for the dead (she spends her hard-earned money buying a deceased homeless woman a nice thrift store outfit for a viewing no one attends) and her anxiety around the living create an unusual and compelling portrait. When a nearby home explodes and the lone survivor is a mysterious boy who may be the same person who saved her when she nearly died, Lily falls again—this time emotionally. The end result is a mashup of one too many elements: A thoughtful bildungsroman vies for attention with a Stranger Things–like blend of evil-government–action story mixed with science fiction, fantasy, and mystery, to the detriment of both despite their individual unique charms and the ways the two plots support each other. In a town infamous for a lynching, main characters are White by default.

Intriguingly different but in need of refinement.