by Mary Ann Glendon ‧ RELEASE DATE: Nov. 1, 1994
An entertaining addition to the growing shelf of books about the discontents of lawyers and, by implication, the rest of the citizenry who has to put up with them. Glendon (Rights Talk, not reviewed), a professor at Harvard Law School who started her legal career as an associate at a large Chicago law firm, offers an extremely interesting—if somewhat rambling and ultimately inconclusive—mixture of personal anecdote and sociological theory to describe purportedly profound changes in the legal profession over the past half-century and the effect of these changes on our democratic society: the rise in the number of lawyers, the burgeoning caseloads (one federal judge refers to himself as the ``Terminator'' because of the need to get matters over with rapidly, often at the cost of reflective justice), the economic pressures that have, in some eyes, reduced professionalism in favor of market imperatives and created the rise of an adversarial class of lawyers who accede to their clients' every wish. Glendon solemnly quotes Gibbon with respect to another empire where the growth in lawyers and legalism coincided with a decline and fall in the spirit of law that makes republican government viable; yet the author is neither as pessimistic nor as whiny as Sol M. Linowitz in his recent lament (The Betrayed Profession, p. 372). She does, however, raise many more questions than she answers, and her premise of seismic shocks to the foundation of the profession remains just that: premise rather than proof. Over 20 years ago, S.F.C. Milsom demonstrated that the growth of the Anglo- American common law comes not from some idealized development of legal principles but from the everyday work of lawyers attempting to find new solutions for their clients' problems. In light of that historical perspective, it remains to be seen whether alterations to the legal profession and society since the early 1960s are as cataclysmic as Glendon characterizes them. Well written and thought provoking, if not totally convincing.
Pub Date: Nov. 1, 1994
ISBN: 0-374-21938-9
Page Count: 388
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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