by Mary Ann Hoberman & illustrated by Laura Huliska-Beith ‧ RELEASE DATE: April 1, 2001
Bouncing verse takes Ned through the pages of the book as he searches for his lost cat Pistachio. Huliska-Beith’s (Recess Queen, 2002, etc.) bright acrylic-and-collage illustrations depict a rubber-limbed Ned and his bespectacled horse as they travel through a series of surreal landscapes, always missing the (appropriately) green cat. Each page of the story, from 1-28, is numbered prominently, and most include some grouping of objects to count; these range from the obvious-but-clever (four goldfish and four four-leaf clovers on page 4) to the obscure (22 stripes on the tiger on page 22) to the absent (no such groupings on pages 9 or 14, for instance), making the counting activity hit-or-miss. Pistachio herself is more or less easy to spot, but some spreads feature two facing single-page illustrations while some are double-page spreads; the logic of Pistachio-spotting varies according to the page layout. Hoberman’s (Bill Grogan’s Goat, above, etc.) text rollicks along cheerily enough at first, but becomes rhythmically monotonous by page 18 or so, and the “book” that Ned moves through has no unifying narrative arc to milk the metaliterary device. While children are likely to enjoy the game of finding Pistachio, adult readers may be grinding their teeth by the end. There are better counting books and hide-and-seek books available, and goodness knows that, in the year following Wiesner’s The Three Pigs, there are better books that deconstruct the notion of book. (Picture book. 4-6)
Pub Date: April 1, 2001
ISBN: 0-316-36328-6
Page Count: 32
Publisher: Megan Tingley/Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Sept. 5, 2023
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
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New York Times Bestseller
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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