by Mary Ann Hoberman & illustrated by Luciano Lozano ‧ RELEASE DATE: March 19, 2019
A celebration of unity through variety that’s just right for these divided times
An ebullient tribute to geographic and cultural diversity on this planet.
Bouncy rhyming text takes readers on a whirlwind journey around the globe, always ending with the unifying, titular refrain: “The sun shines everywhere.” Children play and interact in Japan, the United States, India, and more, all basking in warmth and sunshine. White, brown, and black faces appear throughout, including a multiracial family (although they all seem to have rather similar facial features). Lively illustrations feature various religious garments such as a Sikh turban and a Pakistani topi. A similarly global approach to biodiversity depicts cold-weather animals in Antarctica, nocturnal and subterranean animals in the Americas, dinosaurs and other prehistoric animals, and more. The text even broadly references a few key historical periods, featuring the Egyptian pyramids, classical Greek philosophers, a medieval castle, and Copernicus. Some depictions make this a less-than-ideal text for STEM learning: Landforms on a freely drawn globe are more suggestions than anything else; puffins are not found in Antarctica. Nevertheless, bright, digitally produced illustrations feature eye-catching, immersive spreads full of children at play amid vivid flowers, a variety of architectural styles, and lots of tiny details that encourage readers to look closer.
A celebration of unity through variety that’s just right for these divided times . (Picture book. 4-8)Pub Date: March 19, 2019
ISBN: 978-0-316-52384-4
Page Count: 32
Publisher: Little, Brown
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Amanda Gorman ; illustrated by Loveis Wise ‧ RELEASE DATE: Jan. 7, 2025
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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by Andrew Knapp ; illustrated by Andrew Knapp ‧ RELEASE DATE: Feb. 6, 2024
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Andrew Knapp ; photographed by Andrew Knapp
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