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HOW SHE DIED, HOW I LIVED

A veneer of gravitas hides little substance.

Coming to terms with a brutal murder in small-town Virginia gets complicated when the unnamed narrator falls for Charlie, the victim’s bereaved boyfriend.

Of the five girls Kyle texted, one of whom was the protagonist, only Jamie responded. Kyle said he needed a listening ear, and Jamie was kind. After confessing to her murder, Kyle was jailed immediately. A year later, the other four girls are asked to testify at the sentencing hearing for which the death penalty is sought. Coping with her feelings is still hard for the narrator; when her relationship with Charlie turns intimate, his violent grief and hatred of Kyle threaten to destroy their romance. While the protagonist barely knew either killer or victim, she nearly responded positively to Kyle’s text suggesting they get high—a near miss that haunts her during a year of agony. The female characters object to threats from boys while passively tolerating other behavior and comments that amount to sexual harassment. The protagonist’s sharp eyes, wry views, and judgments are highlights, but excessive length, low stakes, and dead-end plot twists that work against suspense try readers’ patience. The presence of genuine literary merit, particularly in the portrayal of intense grief, only serves to highlight aspects of the book that fall short, such as insufficient development of Kyle’s character. One girl’s Asian boyfriend excepted, characters are presumed white.

A veneer of gravitas hides little substance. (Fiction. 14-18)

Pub Date: Nov. 13, 2018

ISBN: 978-0-316-52381-3

Page Count: 416

Publisher: Little, Brown

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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