by Mary Doria Russell ‧ RELEASE DATE: March 25, 1998
Sequel to The Sparrow (1996), Russell's account of a 21st- century Jesuit-led expedition to planet Rakhat with its two intelligent, kangaroo-like alien races, the carnivorous Jana'ata and their prey, the enslaved Runa. Broken, beset by terrible nightmares, Emilio Sandoz—the expedition's sole survivor—has returned to Earth, where he rejects the Jesuits and the priesthood and falls in love with Gina Giuliani and her four-year-old daughter Celestina. Still, for a variety of reasons the Jesuits (as well as the Pope) pressure Sandoz toward agreeing to return to Rakhat. But even when Sandoz discovers that another expedition member, Sofia Mendes, also survived, he refuses to go. On Rakhat, meanwhile, changes continue. The merchant Supaari, who broke Sandoz and sold him, rejects the Jana'ata lifestyle and takes his supposedly deformed daughter into the forest. Jana'ata poet Hlavin Kitheri, who bought Sandoz in order to rape him, slaughters all his relatives, blames Supaari, and tries to build a society based on ability, not inherited rank. Sofia Mendes, hiding in the forest with the Runa she incited to rebel, gives birth to Isaac, an autistic child with an uncanny musical talent, and supplies the Runa with advanced technology so that they can continue the revolt against their Jana'ata overlords. On Earth, Sandoz is shanghaied aboard the Jesuits' new ship (thanks to relativistic effects, he will never see Gina again), which arrives at Rakhat just in time to prevent the extermination of the Jana'ata by the Sofia-led Runa. Finally, Sandoz will return to Earth, free at last of his nightmares, to meet the daughter he never knew he had. A brutal and deliberate tale, its characters rather too forgiving to be wholly human, that will challenge and sometimes shred the reader's preconceptions. (First printing of 50,000; Book- of-the-Month selection; author tour)
Pub Date: March 25, 1998
ISBN: 0-679-45635-X
Page Count: 400
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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