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EPITAPH

Despite all that has been written and filmed about Doc Holliday and Wyatt Earp, Russell’s pointedly anti-epic anti-romance...

Russell follows up her fictional portrait of Doc Holliday (Doc, 2011) with this fictional deconstruction of the shootout at the O.K. Corral.

While Doc Holliday’s charisma remains unrivaled, he becomes a kind of Greek chorus when Russell shifts her focus to Wyatt Earp, the ambivalent, morally ambiguous not-quite-hero of this Western Iliad; as Doc says after a gunfight in which Wyatt’s boot heel is shot off but he remains unharmed, “Achilles himself would have envied your luck.” By 1880, when Doc shows up, the Earp brothers have settled in Tombstone with their “wives”—Russell’s strongly drawn women are frontier survivors who take what security they can get whether officially legal or not. Also new in town is 18-year-old Josie Marcus, a nice Jewish runaway from San Francisco who's ended up the "wife” of Republican politician/businessman Johnny Behan. The Irish Yankee is competing with southern Democrat Wyatt Earp for sheriff. Their friendly political rivalry turns ugly once they begin competing for Josie as well. Meanwhile, big business interests behind the silver mines want to rid Tombstone of the local rustlers and petty criminals threatening the town’s reputation and the capitalists’ financial futures. The novel shifts effortlessly between intimate focus—for instance, Doc quietly teaching Josie a piano piece; actually, every scene with Doc or Josie is a bull’s eye—and a wide angle that captures President James Garfield’s assassination as well as the history of silver mining. The volatile mix of money, politics and personal vengeance intensifies in the months leading to the famous shootout and its less famous but brutal aftermath during which Wyatt loses his moral center. Eventually the novel becomes less violent but sadder and more realistic as Wyatt turns into a sullied victor on an odyssey toward Josie and pop-culture immortality.

Despite all that has been written and filmed about Doc Holliday and Wyatt Earp, Russell’s pointedly anti-epic anti-romance is so epic and romantic that it whets the reader’s appetite for more.

Pub Date: March 3, 2015

ISBN: 978-0-06-219876-1

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: Nov. 28, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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