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THE WOMEN OF THE COPPER COUNTRY

Historical fiction that feels uncomfortably relevant today.

Russell (Epitaph, 2015, etc.) offers a lesson in American labor relations in this fictional portrait of Anna Klobuchar Clements, a 25-year-old miner’s wife who led a wildcat strike against the large Calumet, Michigan, copper mining company Calumet & Hecla in 1913.

Though little remembered today, Annie Clements acquired the soubriquet “America’s Joan of Arc” for her leadership during the monthslong labor uprising involving as many as 9,000 miners. Annie comes across as a larger-than-life heroine—physically striking at 6-foot-1—although also a warmhearted woman with an increasingly conflicted emotional life. Initially she seems no different from other miners’ wives, stretching pennies to keep house while accepting her husband Joe’s drunken bluster and beatings without complaint. Her sorrow is that after seven years of marriage she has yet to conceive. Instead of motherhood, Annie has thrown herself into her responsibilities as president of the Women’s Auxiliary of Local 15, the Western Federation of Miners. No matter that Joe refuses to join the union. A miner’s death pushes Annie to call for a strike to improve salaries and safety conditions. Experienced union organizer Charlie Miller (a fictional composite of two real union leaders) doubts the strike will succeed, but he recognizes that Annie is a powerhouse he must support. Charlie invites photographer/reporter Michael Sweeney (also a composite) to Calumet to get national coverage. Michael finds himself drawn not only to the drama of the strike, but also to Annie, who inevitably discovers she reciprocates his desire. Union icon Mother Jones makes a cameo appearance, and then there’s Annie’s real-life nemesis, James MacNaughton, the company’s general manager, whose interest in hygiene seems almost progressive until he reveals himself as a greedy capitalist committed to maximum efficiency and profit whatever the human cost. Russell writes with her usual verve, but readers will miss the emotional density of her best work, in which abundant research melts into the human drama; here, characters often feel like puppets manipulated to sell a slice of union history from a decidedly anti-capitalist angle.

Historical fiction that feels uncomfortably relevant today.

Pub Date: Aug. 6, 2019

ISBN: 978-1-9821-0958-5

Page Count: 352

Publisher: Atria

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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