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THE GIRL IN THE LOCKED ROOM

A GHOST STORY

A good tale to hand to readers not sure they can handle grisly ghosts.

Can Jules solve the mystery of the ghostly girl in the third-floor window?

Sixth-grader Jules is tired of moving every time her father, who specializes in restoring historic houses, gets a new job. The newest lands them just outside of Hillsborough, Virginia, living in an addition to a crumbling mansion called Oak Hill. While Dad starts to renovate from the ground up and Mom continue to draft her latest mystery novel, Jules is stuck in the middle of the woods with no friends. At first, she doesn’t know she’s being observed by a ghost girl who has forgotten her own name, but soon each begins seeing visions of the other. Something happened in the past that made the ghost girl lock herself in the third-floor room, and the event plays out again every night. With a new local friend, Jules researches what happened at Oak Hill. Can they actually make a difference in the ghost girl’s afterlife? Edgar winner and ghost guru Hahn turns out a surprisingly unspooky history mystery, good for readers who aren’t ready for her chilling Wait till Helen Comes. Jules and the ghost alternate chapters as focal characters; Jules’ are in first person and the ghost’s in an appropriately attenuated third. The menace is mostly in the past in this slightly shadowy, modern fantasy with an alternate-world spin that causes the tale to feel unresolved. The cast is white by default.

A good tale to hand to readers not sure they can handle grisly ghosts. (Supernatural mystery. 7-11)

Pub Date: Sept. 4, 2018

ISBN: 978-1-328-85092-8

Page Count: 200

Publisher: Clarion Books

Review Posted Online: May 22, 2018

Kirkus Reviews Issue: June 15, 2018

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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