An appealing, sharply self-inquisitive remembrance.
A breast cancer survivor recounts her arduous journey in this debut memoir.
Before her diagnosis in 2010, attorney Dunnewold thought of herself as the “queen of compliance”—she didn’t smoke or “fool around,” and she practiced yoga and ate organic food. Her worst vices, she says, were “expensive chocolate and Grey’s Anatomy.” So in July 2010, when she discovered a “weirdly grainy area” in her breast, she wasn’t immediately worried. She was later told that she had “several tumors on both sides” and that her only option was a bilateral mastectomy. In the space of two years, Dunnewold came to terms with the fact that she had stage 3 cancer while enduring lifesaving surgery, chemotherapy, and radiation, followed by reconstructive procedures. Her memoir candidly examines all aspects of her fight against breast cancer, from her first mammogram to nipple reconstruction and areola tattooing, and she relates her story with a probing, dry wit. For example, she tells of writing an email with the subject line “A Bump in the Road,” announcing to acquaintances she had cancer, and she confides, “I did not entitle my email ‘A Bump in the Boob,’ although I was tempted.” This dark sense of humor may not be to everyone’s taste, but it successfully counterbalances the unsettling facts that the author faces head-on: “Don’t think you’re so special,” she writes. “Don’t think you’re exempt.” What sets Dunnewold’s memoir apart from others of a similar nature is that it directly addresses the question “Why me?” and presents this line of thought as being unhelpful: “Sometimes what happens to us is a mystery. But we can take credit for how we respond.” Her writing also sparkles with clarity and wisdom throughout: “You want to know what lessons cancer taught me? Here’s The Big One: Life is too short to finish War and Peace.” Overall, this book may provide a valuable lifeline to those facing similar challenges.
An appealing, sharply self-inquisitive remembrance.Pub Date: Oct. 23, 2019
ISBN: 978-1-68433-378-3
Page Count: 217
Publisher: Black Rose Writing
Review Posted Online: Dec. 1, 2019
Review Program: Kirkus Indie
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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