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QUEEN OF THE CLASS

Ann Estelle is back in school, all excited about the upcoming class-play auditions, certain that she is perfect for the Queen’s role. Instead, she’s downhearted when selected to be the stage manager, unaware that its backstage position is one of utmost importance for the entire performance. Reluctantly accepting her assignment, the diligent, hard-working, self-assured, and organized Ann Estelle stages an imperial production, creating clever props, rehearsing and recovering forgotten lines with the actors, and ensuring that all runs smoothly from the first scene to the last curtain call. Engelbreit’s signature clean, crisp illustrations of round-faced happy spirited children dressed in bright colors are outlined within a one-inch white frame and reflect a typical classroom setting surrounded by upper and lower borders of the alphabet and a series of school and theatrical supplies. Disappointment is majestically turned into exuberance as this protagonist puts her best effort into everything she does. (Picture book. 5-7)

Pub Date: July 1, 2004

ISBN: 0-06-008178-3

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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THE LAMB WHO CAME FOR DINNER

A sweet iteration of the “Big Bad Wolf Mellows Out” theme. Here, an old wolf does some soul searching and then learns to like vegetable stew after a half-frozen lamb appears on his doorstep, falls asleep in his arms, then wakes to give him a kiss. “I can’t eat a lamb who needs me! I might get heartburn!” he concludes. Clad in striped leggings and a sleeveless pullover decorated with bands of evergreens, the wolf comes across as anything but dangerous, and the lamb looks like a human child in a fleecy overcoat. No dreams are likely to be disturbed by this book, but hardened members of the Oshkosh set might prefer the more credible predators and sense of threat in John Rocco’s Wolf! Wolf! (March 2007) or Delphine Perrot’s Big Bad Wolf and Me (2006). (Picture book. 5-7)

Pub Date: Sept. 1, 2007

ISBN: 978-1-58925-067-3

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2007

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