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THE BLESSINGS OF FRIENDSHIP TREASURY

The cheerful, nostalgic flavor of Engelbreit’s illustrations may be more appealing to adults than to children, but the...

A collection of short poems and quotations about friendship is illustrated by Engelbreit in her immediately recognizable style with sweetly smiling children, decorated borders and fanciful flowers.

The quotations include brief thoughts on friendship from literary giants such as Shakespeare, Longfellow, Thoreau and Yeats, as well as several anonymous but familiar sayings, such as “The only way to have a friend is to be one.” Contemporary selections include Shel Silverstein’s “Hug o’ War” and the text to the old camp song, “Make New Friends.” Several Bible verses pertaining to love and friendship are also included. Many pages are full-sized illustrations with the quotation worked into the picture, while other pages include several short quotes with spot illustrations or decorated initial capitals. Though most of the cherubs depicted are white, children of multiple ethnicities are included in some illustrations, and one picture shows a little girl walking alongside her friend, who uses a wheelchair. Though the collection doesn’t really explore any new territory and Engelbreit’s worldview is determinedly cheerful, this will appeal to the artist’s legions of fans and is an obvious choice for the gift market.

The cheerful, nostalgic flavor of Engelbreit’s illustrations may be more appealing to adults than to children, but the quotations express worthy values to pass along to the young. (Picture book. 4-8)

Pub Date: July 29, 2014

ISBN: 978-0-310-74509-9

Page Count: 40

Publisher: Zonderkidz

Review Posted Online: May 27, 2014

Kirkus Reviews Issue: June 15, 2014

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MARY HAD A LITTLE LAB

Girl science power and new friendships make for a good combination.

In Fliess’ update, Mary is an inventive scientist, but she’s a lonely one.

“Mary had a little lab. / She tested and created. / While other kids were at the park, / she built and calculated.” The window of her lab provides views of the kids’ fun, and they inspire her to make a friend. Literally. She bikes to a farm for a snip of wool and heads back to use her latest invention: the Sheepinator. The resultant pet is everything she could hope for, not only providing companionship, but also helping out around the house and lab. And when he follows her to school, the kids all ask for their own wooly friends. What could possibly go wrong? Bouloubasis’ hysterical illustrations show the chaos that ensues, but the scientist and her new human friends think of a clever solution that leaves the whole town satisfied…and warm. Fliess’ verses include enough of the original poem (but tweaked) to tickle readers’ funny bones, and the rhyme and rhythm are spot-on. Mary is a wild-haired white redhead who is depicted as safety-conscious (bike helmet, ear protection, rubber gloves, etc.); the other kids are a diverse group. Most diverse (and somewhat distracting) of all are the noses on their faces—all sizes, shapes, and colors.

Girl science power and new friendships make for a good combination. (Picture book. 4-8)

Pub Date: March 1, 2018

ISBN: 978-0-8075-4982-7

Page Count: 37

Publisher: Whitman

Review Posted Online: Jan. 21, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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TOMORROW IS WAITING

There’s always tomorrow.

A lyrical message of perseverance and optimism.

The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.

There’s always tomorrow. (Picture book. 4-7)

Pub Date: Jan. 8, 2019

ISBN: 978-1-101-99437-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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