Firmin’s first novel is a first-rate murder mystery.
Megan Riley’s circle of friends includes Rachel Feinman, Alexandra Grant and Kathleen Rosario—all wives of wealthy California men. Their lives revolve around the Bayside Yacht Club, their yachts and the club’s activities. But unlike her friends, Megan is working girl—she doesn’t own a yacht, makes her living selling real estate and has recently ended a serious relationship. Despite their cushy lifestyles, Megan’s friends are not without their problems; all of their marriages are in various states of decay, some in graver condition than others. While sunbathing on Alexandra’s yacht, the friends learn of the death of mutual acquaintance George Fisher; he had suffered a heart attack while in the company of a hooker. All are shocked by the news, but none are surprised. The ladies discuss their husbands’ proclivities for obtaining sexual favors through nefarious means, as well as the ladies’ shared desire to retaliate against the guys. The ladies bandy about the idea of finding a gigolo that they can share and agreed upon it—at least in principle. Meanwhile, detective Matt Donovan is busy investigating the Bondage Murder, a grisly case in which a prostitute’s mutilated body was found near the house where George died. It seems George’s hooker was close friends with the murdered prostitute. In attempting to track down Alexandra’s husband to question him about the murder, Matt winds up on the yacht with the sunbathing ladies. Megan is instantly smitten with the handsome detective, and it seems the attraction is mutual. As Megan’s relationship with Matt progresses, her naughty gigolo pact with her friends and Matt’s murder investigation intertwine. This juicy tale moves at breakneck speed, making for an exciting read. At times, however, this rushing speed results in underdeveloped story elements, such as a dog that suddenly shows up in Megan’s life and then plays a crucial role in the plot. But this is a minor issue that takes little away from what is overall a terrific novel. Because Firmin gives equal time to her female and male characters, the book should be equally appealing both sexes—no small feat. A swiftly paced tale of lust, seduction, duplicity and horror, Firmin’s debut easily keeps the pages turning.
Pub Date: Oct. 12, 2011
ISBN: 978-1462042388
Page Count: 293
Publisher: iUniverse
Review Posted Online: Jan. 12, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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