Fans will bite their nails to the quick while they wait for all the characters who know bits and pieces of the story to pool...
According to Clark’s unique take on identity theft, the thief doesn’t just want to steal your money but to ruin your credibility, snatch your son and take your life.
Interior designer Alexandra Moreland’s son disappeared from his stroller two years ago while Tiffany Shields, the babysitter Zan had hurriedly arranged to watch him, dozed nearby. Matthew’s trail has long gone cold until his fifth birthday, when a tabloid newspaper publishes a photograph of Zan removing him from his stroller. In a flash, all the friends who’ve stood by her for the past two years turn on her. Her ex, Ted Carpenter, the publicist she’d split up with before she ever knew she was pregnant, winds up their dinner at the Four Seasons by accusing her of kidnapping his son. Architect Kevin Wilson, a prospective client who’s been about to choose her designs over those of her former boss Bartley Longe, begins to waver. Bartley, who never forgave Zan for leaving his shop to set up her own, spews venom into NYPD ears. So does Tiffany, frantic to take this opportunity to defend herself against all the innuendo she’s endured. Even Zan’s friends Alvirah and Willy Meehan, long familiar to the Clark faithful (The Lottery Winner, 1994, etc.), speculate whether she could have stolen Matthew during one of her mysterious blackouts. Only her loyal assistant, Josh Green, sticks by her side, and even he wonders who ordered the bolts of fabric that have begun to arrive at their office even though she swears she didn’t order them. Meanwhile, Toby Grissom, who hasn’t long to live, flies in from Texas to search for his daughter, Brittany La Monte, an aspiring actress and makeup expert who came to New York to make her fortune but disappeared shortly before Matthew.
Fans will bite their nails to the quick while they wait for all the characters who know bits and pieces of the story to pool their knowledge before the malefactor can strike again. Experts on identity theft will marvel that no matter what raw material goes into the Clark hopper, it all comes out looking much the same.Pub Date: April 5, 2011
ISBN: 978-1-4391-8096-9
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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