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WARMING UP

A well-written, endearing book that surprises—even if its happy ending is a little too perfect.

A story about discovering the artist within and being happy—talent or no talent.

Reed’s (Courting Kathleen Hannigan, 2007, etc.) charming new novel stars a neurotic singer with mother issues who has been avoiding auditions and attending frustrating therapy sessions instead. When Cecilia meets a homeless boy on the streets, however, her life takes a risky new direction. By involving herself in his problems, she learns to cope with her own, and she finds fulfillment in helping two troubled teens who must care for a baby while living hand to mouth. The author employs a generic plot that feels very “rags to riches” and makes it her own, using everyday issues—problems with low self-esteem, money, kids—to connect each character to the others. Reed turns ordinary metaphors into apt reflections of the characters’ inner states. Cecilia, for example, who has been stalled in her ambitions, takes up running, which depicts not only how she’s moving toward a better self, but also how she feels about her life despite her progress. To the overly self-critical Cecilia, who’s new to jogging and not especially fast, she’s always being passed, or surpassed, by others. Reed’s portrayal of human psychology is convincing. We can, for example, sense Cecilia’s anger and self-destruction every time she lights a cigarette, particularly since smoking damages her gifted singing voice. Reed sometimes resorts to telling instead of showing (“What she had yet to realize was how much she needed him”), but overall, she gives Cecilia nuanced, flawed dimension. Early on, Cecilia is often judgmental and impersonal, fearing that the boy she’s helping is immoral and even diseased. What Reed does best, though, is bring out similar aspects in all the characters. The therapist, also an aspiring sculptor, finds that like Cecilia, he’s afraid to act and move forward with his life. The homeless boy puts his talents to good use, and each character achieves new meaning in his life—through romance, new responsibilities and opportunities. Those shared traits create sympathetic, memorable characters.

A well-written, endearing book that surprises—even if its happy ending is a little too perfect.

Pub Date: April 15, 2013

ISBN: 978-1-938314-0-6

Page Count: 287

Publisher: She Writes Press

Review Posted Online: April 30, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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