A glimpse into the life of a reluctant sex worker, featuring a sympathetic, if occasionally bland, heroine.
Debut author Jordan offers a fictionalized account of a young woman’s real-life experiences with crime and prostitution in Bulgaria.
Ionna never had a very peaceful childhood: “My father was particularly inventive in his punishments and in his beatings had no equal.” She ran away from home after suffering “things that would make your hair stand on end,” and eventually falls in with a young criminal named Krasi and his gang of miscreants. They steal from foreigners in seaside resorts, and their operation is small but very successful. However, the waves of excitement and spending come to an abrupt standstill when Krasi kills someone and must flee the country. After refusing to go with him, Ionna is left with limited money and a broken heart. She eventually finds herself part of a sex trafficking ring and becomes a prostitute in an upscale hotel catering to wealthy, foreign men. Her work is often painful and grotesque (“Even the memory of what that pervert did to me makes me feel ashamed”). How will Ionna survive such an existence? Jordan provides insight into the types of traps that might face a girl like Ionna, but although the young woman’s actions are clear, much of her interior life remains opaque. Occasional flashes of personality offer captivating details (such as when Ionna encounters a videocassette recorder: “…soon the film was beginning. It was called ‘Ghost’, a marvellous story about love, death and human morality”), but she can feel, at times, like any other girl stuck in hard times. A more complex picture of her inner life might have resulted in a more memorable portrait. However, Ionna’s constant will to survive leaves readers with a sense of understanding. If nothing else, the book succeeds in illuminating a broad picture of shady dealings and the people swept up in them.
A glimpse into the life of a reluctant sex worker, featuring a sympathetic, if occasionally bland, heroine.Pub Date: June 13, 2014
ISBN: B00LK2SGEE
Page Count: 215
Publisher: CreateSpace
Review Posted Online: March 31, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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