Andrews delivers a satisfying read that will leave a taste as tangy, delicious and sweet as an ice-cold bottle of Quixie...
Andrews’ latest romance serves up a tale about love, duplicity and second chances in this entertaining novel set in the Deep South.
Advertising executive Annajane Hudgens is both excited and nervous about her future. In five days, she’ll be leaving her rural hometown in Passcoe, N.C., and traveling to Atlanta to start a new job and a promising life with her fiancé, bluegrass musician Shane Drummond. She has a few loose ends to tie up before she goes, including selling her loft and attending the marriage of rich and socially prominent Mason Bayless to beautiful and glamorous Celia Wakefield. Mason is the president of his family-owned business, the Quixie Beverage Company, and he also just happens to be Annajane’s boss and ex-husband. Celia, a newcomer to the company with a mysterious past, may have won his heart in a few short months, but she’s also managed to alienate Annajane and her best friend, Pokey, Mason’s spirited and outspoken sister. When an emergency interrupts the wedding ceremony, Annajane discovers that leaving Passcoe might not be as easy as she envisioned. Her unresolved feelings for Mason resurface, and it appears that Mason may share those feelings. As Annajane grapples with her emotions and the truth about her former marriage, she finds herself pitted against the manipulative Celia and her hostile former mother-in-law, Sallie. Both have reason to want Annajane to leave town, but just how far will each of these women go to control Mason and, through him, the future of Quixie Cola and the Bayless family? Enriched with Southern charm, character and colloquialisms, the author creates an appealing story full of unique personalities and clever plot twists.
Andrews delivers a satisfying read that will leave a taste as tangy, delicious and sweet as an ice-cold bottle of Quixie soda.Pub Date: June 5, 2012
ISBN: 978-0-312-64271-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: May 19, 2012
Kirkus Reviews Issue: June 1, 2012
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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