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SHE'S NOT SORRY

Interrogates and exposes the everyday fears that women face—while still checking all the thriller boxes.

In trying to do the right thing, a woman puts herself and her family in danger—and is forced to take extreme action to protect herself.

After a long shift at the hospital where she works as an ICU nurse, Meghan Michaels trudges through the cold Chicago evening to attend her divorce support group, where she’s surprised to run into Natalie Cohen, a woman she hasn’t seen since high school. While they were never close friends, Meghan encourages Nat to give the group a chance when she expresses doubts. She can’t help but notice the ugly bruise on Nat’s temple; having experience with victims of domestic abuse in her line of work, Meghan is concerned. She remembers a previous case when a battered woman came in to the hospital but refused to press charges; she was later murdered by her husband. Speaking of dangerous men, there has been a recent rash of attacks on women by a man who hasn’t been caught, so Meghan is particularly on her guard. She lives with her teenage daughter, Sienna, who’s often home by herself when Meghan is working. One of Meghan’s patients, a woman who purportedly jumped off a bridge and is now in a coma, may have been fleeing the assailant—and either fell or was pushed. These violent storylines converge over the length of a novel in which, of course, not everyone is who they seem. A twist is expected in any Kubica novel, and this one is pretty successful. Meghan is particularly strong and thoughtful, so she makes both an attractive protagonist and a formidable antagonist for those who will threaten her and her family. She has her secrets and will do anything to protect them, but she also has a sense of justice. Ultimately, she wants to make the world a safer place, and the novel encourages us to view that as a worthy goal, whatever the path.

Interrogates and exposes the everyday fears that women face—while still checking all the thriller boxes.

Pub Date: April 2, 2024

ISBN: 9780778308065

Page Count: 329

Publisher: Park Row Books

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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THE BIG EMPTY

A potent and surprising novel by the ever-reliable Crais.

Hired to find the father of celebrity “muffin girl” Traci Beller 10 years after his disappearance, PI Elvis Cole uncovers a nefarious plot that puts his life and those he contacts at risk.

The sweetly likable Traci, now 23, has amassed a huge following with her website, The Baker Next Door, and on social media. Against the advice and self-interest of the people who over-manage her career, she decides to find out what happened to her father. Cole quickly determines that he was last seen at the SurfMutt hamburger stand, where he gave a ride to Anya Given, a troubled 15-year-old whose mother, Sadie, was late in picking her up from the skate park across the street. With the reluctant help of a scattered young woman who used to work at the burger joint, Cole tracks down Anya and Sadie, who is eventually revealed to have a criminal past. For his efforts, he’s jumped by a small gang of men who send him to the hospital with the worst beating of his life. (Asked by a nurse what his name is, the best he can guess is “Los Angeles.”) Still in recovery, Cole and Joe Pike, his ex-Marine partner, trace his attackers to Sadie, with unexpected results. As ever, Crais draws the reader in via his protagonist’s casual, dryly humorous manner and the book’s relaxed ties to classic noir. Slowly but surely, the plot gains intensity and deadly purpose. Just when you think the missing persons case is solved, Crais ratchets things up with a devastating follow-through. This is the L.A. novelist’s 20th Cole mystery, following such efforts as The Watchman (2007) and Racing the Light (2022). It may be his most powerful.

A potent and surprising novel by the ever-reliable Crais.

Pub Date: Jan. 14, 2025

ISBN: 9780525535768

Page Count: 400

Publisher: Putnam

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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