A beautifully written portrayal of a Ukrainian family that perhaps resonates now more than ever.
A historical novel focuses on a mother’s search for her children in Ukraine following World War I.
In autumn 1919 Elvira Maria Andrushko and her two children, Ana and Sasha, wait to board a train from the village of Kos, near Kyiv, to Odessa. A young widow, Elvira Maria is seeking safety for her family when a rush to board the train separates her from her kids. Unable to follow them to Odessa until two days later, Elvira Maria frantically combs the city for her family as she struggles to make a life for herself. In the same building where she finds a room lives Michail Lukashenko, a 40-year-old puppeteer and artist (“He was strikingly handsome, his chin dimpled, his black hair still thick, his body lean and muscular”). He eventually takes the struggling widow under his wing and tries to help her find her children. Through Michail, the story connects to a variety of characters in Odessa that allows for the examination of the rising tensions in this city deemed safe: There are revolutionaries and brothel madams, street urchins and gangs. As months go by, Michail and Elvira Maria’s relationship develops beyond friendship. In Grow’s well-crafted novel, Michail is the most intriguing character, with his connection to his childhood companion Ivan Dashkevich, a Bolshevik, a high point. The author’s exploration of this male friendship is compelling and poignant. In addition, the book skillfully examines a variety of historical events, touching on the rise of the Communists in the early 20th century as well as the options for women and the displacement of families during this period. The constant search for Ana and Sasha could have become a tiring and repetitive thread, but Grow, over the course of the year in which the narrative is set, delivers a story full of twists and turns, gripping readers right until the very end.
A beautifully written portrayal of a Ukrainian family that perhaps resonates now more than ever.Pub Date: Aug. 21, 2023
ISBN: 9798988398202
Page Count: 348
Publisher: Studio 17
Review Posted Online: July 28, 2023
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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