A historical novel focuses on a mother’s search for her children in Ukraine following World War I.
In autumn 1919 Elvira Maria Andrushko and her two children, Ana and Sasha, wait to board a train from the village of Kos, near Kyiv, to Odessa. A young widow, Elvira Maria is seeking safety for her family when a rush to board the train separates her from her kids. Unable to follow them to Odessa until two days later, Elvira Maria frantically combs the city for her family as she struggles to make a life for herself. In the same building where she finds a room lives Michail Lukashenko, a 40-year-old puppeteer and artist (“He was strikingly handsome, his chin dimpled, his black hair still thick, his body lean and muscular”). He eventually takes the struggling widow under his wing and tries to help her find her children. Through Michail, the story connects to a variety of characters in Odessa that allows for the examination of the rising tensions in this city deemed safe: There are revolutionaries and brothel madams, street urchins and gangs. As months go by, Michail and Elvira Maria’s relationship develops beyond friendship. In Grow’s well-crafted novel, Michail is the most intriguing character, with his connection to his childhood companion Ivan Dashkevich, a Bolshevik, a high point. The author’s exploration of this male friendship is compelling and poignant. In addition, the book skillfully examines a variety of historical events, touching on the rise of the Communists in the early 20th century as well as the options for women and the displacement of families during this period. The constant search for Ana and Sasha could have become a tiring and repetitive thread, but Grow, over the course of the year in which the narrative is set, delivers a story full of twists and turns, gripping readers right until the very end.
A beautifully written portrayal of a Ukrainian family that perhaps resonates now more than ever.