IT. GOES. SO. FAST.

The longtime anchor of All Things Considered documents her attempts to be a more present parent during her son’s senior year of high school.

In Kelly’s nonfiction debut—she has written two novels—the author ranges widely, writing about the challenges of conducting a radio interview with hearing aids; being called by her son’s school while working in a combat zone in Iraq; and grief over the loss of her father to cancer. Throughout, Kelly reflects on the trade-offs she’s made as a working mother, all of which have sparked complex feelings in herself and others. In a particularly poignant chapter, she recounts how she ran into a professional colleague while staying home to care for her youngest son, a decision the family made because the author’s husband had a higher salary. While Kelly found this encounter with her sharply dressed and ambitious colleague humiliating, the woman later related that it made her think about all the time she was missing with her own children. This first encounter sets the tone of the text, which is filled with revelatory moments that clearly articulate the push and pull of aging and motherhood. However, at times, the author glosses over major events without offering adequate analysis or background. For example, she alludes to the breakup of her marriage but ends the chapter abruptly. While it is certainly up to the author to exclude parts of her personal life, readers may find it unsatisfying to encounter such a life-changing moment so briefly and superficially, especially in a book focused on family dynamics. After the early chapters, the book meanders, ricocheting from Kelly’s home life to her public dispute with Mike Pompeo and her work at NPR. Many of these sections are tenuously linked to the main narrative of her children and family, and the text features too many forced metaphors and insubstantial connections to parenting.

An accomplished journalist’s middling memoir about balancing work and motherhood.