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GOOD TOWN

An evocative, engrossing depiction of the devastating choices and consequences of the World War II era.

A Prussian farming family cooperates with Reich control before experiencing traumatic displacement as refugees in Wells’ historical novel.

In June of 1937, Josef Haupt, a father of eight children and a farmer on the outskirts of Guttstadt in East Prussia, travels to town with eldest daughter, Margarete, who is 9 years old. Josef asks a merchant, Aaron Katz, why he is sweeping the town’s streets. Josef’s questioning of this treatment of a Jew leads to his apprehension by the Gestapo. Josef avoids being sent to a labor camp through the intervention of the town’s mayor, Bürgermeister Renkel, who has been pestering Josef to take the role of Ortsbauernführer, a position that will require him to organize and lead the farming community in the area. Josef realizes that he must now accept this assignment to avoid a worse fate, and the family receives a Nazi flag to fly and Polish POWs to work on their farm. As the war years go by, Josef’s four sons are drafted to fight for the Reich. Margarete attends a finishing school in another city but is forced to return when bombing starts as the tide turns against the Reich. Josef dithers, reluctant to flee the farm despite his cynical, wounded son Paul’s urging to escape. The family eventually does leave and is forced to contend with rapes, beatings, stints in refugee camps, and, for Josef, joining the Nazi’s desperate, last-ditch citizens militia initiative as he turns 60. The novel concludes in 1950, with some members of the Haupt family forever lost but others moving on to radically changed new lives.

The author notes in a preface that she originally intended to write a coming-of-age novel about her mother then expanded her focus upon discovering that her grandfather, originally an opponent of Nazism, had been an Ortsbauernführer. The resulting narrative is a sweeping family saga dramatizing the horrible decisions, dilemmas, and tragedies those living under Nazi rule faced. The book is full of striking scenes and heartbreaking images, including Jewish headstones ripped from graveyards to pave the broken roads of Guttstadt, and Margarete discovering the mutilated corpse of a classmate by spotting “a familiar-looking red coat with large black buttons in a heap on the snow.” Wells also effectively probes the psychology of her characters, from Josef’s guilt (“He was too terrified, too selfish to bless an old friend and too much of a coward to practice his religion. And if put in a similar situation the next day, he would act no differently”) to Margarete’s repression of her trauma (“Just as she was an observer of tragedy befalling others, she had become an observer of her own life. It was the only way to protect her soul and her mind. It was the only way to continue to live”). The story is ambitious in scope and at times overwhelming in its details. Overall, however, Wells skillfully weaves together her many plot threads to convey the seismic impact the war had on one family as it reshaped the world.

An evocative, engrossing depiction of the devastating choices and consequences of the World War II era.

Pub Date: April 13, 2023

ISBN: 9798987987322

Page Count: 354

Publisher: Posit Publishing

Review Posted Online: April 14, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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