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GOOD TOWN

An evocative, engrossing depiction of the devastating choices and consequences of the World War II era.

A Prussian farming family cooperates with Reich control before experiencing traumatic displacement as refugees in Wells’ historical novel.

In June of 1937, Josef Haupt, a father of eight children and a farmer on the outskirts of Guttstadt in East Prussia, travels to town with eldest daughter, Margarete, who is 9 years old. Josef asks a merchant, Aaron Katz, why he is sweeping the town’s streets. Josef’s questioning of this treatment of a Jew leads to his apprehension by the Gestapo. Josef avoids being sent to a labor camp through the intervention of the town’s mayor, Bürgermeister Renkel, who has been pestering Josef to take the role of Ortsbauernführer, a position that will require him to organize and lead the farming community in the area. Josef realizes that he must now accept this assignment to avoid a worse fate, and the family receives a Nazi flag to fly and Polish POWs to work on their farm. As the war years go by, Josef’s four sons are drafted to fight for the Reich. Margarete attends a finishing school in another city but is forced to return when bombing starts as the tide turns against the Reich. Josef dithers, reluctant to flee the farm despite his cynical, wounded son Paul’s urging to escape. The family eventually does leave and is forced to contend with rapes, beatings, stints in refugee camps, and, for Josef, joining the Nazi’s desperate, last-ditch citizens militia initiative as he turns 60. The novel concludes in 1950, with some members of the Haupt family forever lost but others moving on to radically changed new lives.

The author notes in a preface that she originally intended to write a coming-of-age novel about her mother then expanded her focus upon discovering that her grandfather, originally an opponent of Nazism, had been an Ortsbauernführer. The resulting narrative is a sweeping family saga dramatizing the horrible decisions, dilemmas, and tragedies those living under Nazi rule faced. The book is full of striking scenes and heartbreaking images, including Jewish headstones ripped from graveyards to pave the broken roads of Guttstadt, and Margarete discovering the mutilated corpse of a classmate by spotting “a familiar-looking red coat with large black buttons in a heap on the snow.” Wells also effectively probes the psychology of her characters, from Josef’s guilt (“He was too terrified, too selfish to bless an old friend and too much of a coward to practice his religion. And if put in a similar situation the next day, he would act no differently”) to Margarete’s repression of her trauma (“Just as she was an observer of tragedy befalling others, she had become an observer of her own life. It was the only way to protect her soul and her mind. It was the only way to continue to live”). The story is ambitious in scope and at times overwhelming in its details. Overall, however, Wells skillfully weaves together her many plot threads to convey the seismic impact the war had on one family as it reshaped the world.

An evocative, engrossing depiction of the devastating choices and consequences of the World War II era.

Pub Date: April 13, 2023

ISBN: 9798987987322

Page Count: 354

Publisher: Posit Publishing

Review Posted Online: April 14, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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