A gripping, original contribution to a still-unresolved Nazi crime.
Nazi looting of European art is old news, but this expert, disheartening account reveals that Germany still possesses a great deal and refuses to give it up.
Lane, the former chief European art reporter for the Wall Street Journal, writes that in 2012, German tax authorities raided the apartment of elderly bachelor Cornelius Gurlitt and found more than 1,200 precious artworks piled in every corner. They kept the news secret until a magazine revealed it in 2013 and then proceeded to stonewall the authorities, insisting that this was a tax matter and that the government had no obligation in other areas. Since then, aggressive claimants have received a few works, but most are housed at a Swiss museum following Gurlitt’s bequest. Having delivered this news, Lane turns back the clock to recount the dismal yet captivating story, centered on Hitler, who, she reminds readers, grew up as an artist and remained obsessed by cultural matters throughout World War II. Another ongoing figure is satirical artist George Grosz, who immigrated before Hitler took power and saw his work reviled, confiscated, and never returned. Hitler’s taste in art received enthusiastic cooperation from dealers including Cornelius’ father, Hildebrand Gurlitt. Readers will gnash their teeth as Lane engagingly recounts how dealers who formerly represented avant-garde artists quickly adapted and dumped their “degenerate” modernist clientele, except for purchases at knock-down prices for their private collection. They happily accepted works that they knew were confiscated from Jews. After 1939, many dealers, led by Hildebrand, toured conquered countries collecting for Hitler’s mythical future Führermuseum. When necessary, Hildebrand purchased works with an apparently unlimited national budget, although many ended up in his own collection, and most of them he successfully concealed after the war. Aware of art looting, the victorious Allies devoted modest effort to an investigation, but violent crimes took priority. Hildebrand and colleagues were cleared and resumed their careers.
A gripping, original contribution to a still-unresolved Nazi crime.Pub Date: Sept. 10, 2019
ISBN: 978-1-61039-736-0
Page Count: 336
Publisher: PublicAffairs
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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