edited by Mary Maillard ‧ RELEASE DATE: June 20, 2014
A fascinating, scholarly glimpse into what it meant to be a Southern belle.
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This collection of historical correspondence illuminates a North Carolina belle’s upbringing, courtships, marriage, and death at age 22 following childbirth.
“On the carpet,” in the parlance of 1830s America, meant to be under consideration; applied to young women, it meant being on the marriage market—and in constant danger of being replaced by fresher stock. Such concerns underlie many of the letters here written by and to Penelope Skinner (1818-1841); the chief correspondents are her brother Tristrim Lowther Skinner (1820-1862); her father, Joseph Blount Skinner (1781-1851); and the husband she married in 1840, Dr. Thomas Davis Warren (1817-1878). (The originals are among the Skinner Family Papers, University of North Carolina at Chapel Hill, Southern Historical Collection.) In this scholarly, thoroughly researched account, Maillard (The Belles of Williamsburg, 2015, etc.), a Skinner descendant, has assembled a valuable collection of primary sources and provided illuminating notes, comments, illustrations, and an extensive bibliography and index. The letters begin in 1832 with a joint missive from the Skinner children to their father expressing concern over a cholera epidemic and end in 1841 with a condolence note to Penelope’s father after her death—indicative of the 19th century’s many dangers. Readers learn about Penelope’s schooling, homesickness, her close relationship with her brother, and episodes of depression. Many letters ask after family servants, such as “Aunt Barbara,” the child’s African-American nanny. The Southern belle is an archetype, but it’s established in most readers’ minds by popular conceptions like Gone With the Wind. This volume gives direct insight into the complicated, chancy world of matchmaking. Letters are filled with Penelope’s worries about being “on the carpet,” and competitive, catty remarks about other girls: “I should be pleased also to hear from Mary Mosely is she as large as ever,” she writes in 1839. Though considered thin-faced and sallow, Penelope had 30 offers and three failed public engagements; suitors were perhaps put off by her father’s “queer ways.” It’s poignant that achieving her main goals, marriage and childbirth, brought about her early death.
A fascinating, scholarly glimpse into what it meant to be a Southern belle.Pub Date: June 20, 2014
ISBN: N/A
Page Count: 335
Publisher: Amazon Digital Services
Review Posted Online: April 27, 2015
Review Program: Kirkus Indie
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edited by Mary Maillard
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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