Thoughtful fiction that once again exposes the dark enigma of America’s racist past and present.
An exploration of race relations in Louisiana from multiple perspectives, including those of a 12-year-old white girl and her family’s African-American housekeeper.
In the early 1990s, Mary Jacob Ascher (nee Long) gets a call from her older sister, Kathryn, informing her that their father, Jack, is dying and that she’d better hurry home to Murpheysfield, Louisiana, if she wants to see him. Mary Jacob, one of the narrators of the story, reminisces about her privileged upbringing and the “gorgeous greedy bitches” who were Jack’s ex-wives. On her return trip she finds out that Billy Ray Davis, a brilliant harmonica player from Murpheysfield who had made a name for himself in the '60s, is passing through town to give a concert. Billy Ray is the son of Lavina Davis, the Longs' housekeeper, who provided most of the nurture and care that Mary Jacob received during the formative years of her adolescence. We see the family dynamics—that Mary Jacob is still alienated from Kathryn, who’d always been the pretty one, and that Jack wants to see his beautiful former wife, Van, before he dies, and he asks Mary Jacob to find her. The novel then shifts back to the summer of 1963, when racial tensions are high in Louisiana, and a rumor develops that Martin Luther King is coming to Murpheysfield to lead a sit-in. Jack’s virulent racism leads him to consider assassinating King, and Mary Jacob, already questioning the system under which she’d been raised, develops a counterplot that would involve sacrificing her own life. We also encounter racism through the experience of Billy Ray’s growing musical prowess and his involvement with Mary Jacob’s family.
Thoughtful fiction that once again exposes the dark enigma of America’s racist past and present.Pub Date: April 28, 2015
ISBN: 978-1-61188-201-8
Page Count: 358
Publisher: The Story Plant
Review Posted Online: March 20, 2015
Kirkus Reviews Issue: March 1, 2015
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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