A disturbing, suspenseful coming-of-age story about power, corruption, and the choices we make both for ourselves and the...
The last thing Claudia McCarthy wanted was power—that is, until she had some.
After years of being teased for her limp and her speech impediment, Claudia enters her new high school, Imperial Day Academy, with only one goal in mind: to be as invisible as possible. That is, until her mortal enemy, the powerful Honor Council member Livia Drusus, orders her to run for Student Senate, thereby thrusting Claudia into the spotlight. Against all odds, Claudia wins her election and, after uncovering a financial scandal within the current Senate, becomes vice president. As Claudia becomes more and more powerful, she begins to question the motivations of everyone around her—including her own. This retelling of the novel I, Claudius (1934) is a gripping political thriller told through a complex narrator whose facility for coldhearted political calculation is exceeded only by her capacity for self-doubt. Claudia is white, and the story features a diverse set of characters who are neither immune to the impact of nor entirely defined by their race, queerness, or physical ability. This narratorial approach is particularly refreshing when it comes to Claudia: Most notably, unlike the majority of disabled characters in young adult fiction, Claudia falls in (reciprocated) love with a popular, nondisabled student.
A disturbing, suspenseful coming-of-age story about power, corruption, and the choices we make both for ourselves and the ones we love. (Thriller. 16-adult)Pub Date: Oct. 1, 2018
ISBN: 978-1-5124-4846-7
Page Count: 424
Publisher: Carolrhoda
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: July 1, 2018
PROFILES
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A very full mixed bag.
In the sequel to Furyborn (2018), Rielle and Eliana struggle across time with their powers and prophesied destinies.
Giving readers only brief recaps, this book throws them right into complicated storylines in this large, lovingly detailed fantasy world filled with multiple countries, two different time periods, and hostile angels. Newly ordained Rielle contends with villainous Corien’s interest in her, the weakening gate that holds the angels at bay, and distrust from those who don’t believe her to be the Sun Queen. A thousand years in the future, Eliana chafes under her unwanted destiny and finds her fear of losing herself to her powers (like the Blood Queen) warring with her need to save those close to her. The rigid alternation between time-separated storylines initially feels overstuffed, undermining tension, but once more characters get point-of-view chapters and parallels start paying off, the pace picks up. The multiethnic cast (human versus angelic is the only divide with weight) includes characters of many sexual orientations, and their romantic storylines include love triangles, casual dalliances, steady couples, and couples willing to invite in a third. While many of the physically intimate scenes are loving, some are rougher, including ones that cross lines of clear consent and introduce a level of violence that many young readers will not be ready for. The ending brings heartbreaking twists to prime readers for the trilogy’s conclusion.
A very full mixed bag. (map, list of elements) (Fantasy. 17-adult)Pub Date: May 21, 2019
ISBN: 978-1-4926-5665-4
Page Count: 608
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 19, 2019
Kirkus Reviews Issue: March 15, 2019
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