From the justly touted author of Vanished (a 1988 NBA nominee) and A Dangerous Woman (1991) comes this panoramic view of small- town lifea novel infused with empathy for the flawed and failed who live there. Set in the summer of 1960, the story details how the Fermoyle family and their neighbors are nearly destroyed by a dangerous con man, Omar Duvall. When 12-year-old Benjy Fermoyle witnesses a murder in the woods above his Vermont hometown, then sees the murderer, Omar, appear later that evening with flowers for his mother, Marie, he is not surprised, and tells no one: Benjy has known forever that Omar's coming was ``as inevitable as the summer's fiery sun, and as unstoppable.'' Posing as a peddlar, Omar soon insinuates himself into the family by shrewdly flattering them. Lonely Marie, who gets no help from alcoholic ex-husband Sam in raising Alice, Norm, and young Benjy, is especially vulnerable to his attentions. She not only provides Omar with food and shelter but forges signatures so she can get a loan to invest in the get- rich soap-selling scheme he's touting. As the summer progresses, subplots unfold that parallel and often connect with the Fermoyles' fate: The local police chief has an affair while his wife lies dying; a young priest falls in love with Alice; an insurance salesman, besotted with his wife (a former showgirl), takes to crime; and Sam tries to dry out and get his family back. Meanwhile, the novel gains its thriller-like tension from the children's complex relationship with Omar, a man who makes their mother happy but is increasingly revealed to be both bad and dangerous. By summer's end, ``the malevolence in the air'' has finally dissipated, and the Fermoyles are on surer ground. A grand sweep of a novel: Morris, like a contemporary Dickens, creates a world teeming with incident and characters often foolish, even nasty, but always alive and in your face. (First printing of 75,000; $75,000 ad/promo)
Pub Date: Aug. 24, 1995
ISBN: 0-670-86014-X
Page Count: 768
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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