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HOUSE ARREST

An American travel writer is forcibly detained on a Soviet- linked Caribbean island in this fourth novel from Morris—a murky, claustrophobic work that fails to penetrate the depths of the author's previous fiction (most recently, A Mother's Love, 1993). Thirty-six-year-old Maggie Conover's life in Brooklyn is pleasant enough, sturdily constructed around an architect husband and a five-year-old daughter. Still, even after ten years of roaming the world updating a series of travel guides, Maggie's natural restlessness prods her to pack her bags every few months for another trek into the unknown. This time, her trip turns ominous when she's detained at customs upon arrival on an unnamed island. Implying that her detention has to do with the disappearance of Isabel, a local woman whom Maggie befriended on a previous visit, the island officials place the American under house arrest at the pleasant Hotel Espa§a. There, with nothing to do, Maggie has time to reflect on her brief relationship with the missing Isabel, only daughter of the country's despotic leader, nicknamed El Caballo. Fascinated by Isabel's reputation for defying her father, identifying with her desperate desire to flee the closed, poverty-ridden island, and physically attracted by the woman's beauty and grace, sensible Maggie did in fact uncharacteristically risk her own safety by agreeing to ``lose'' her passport and plane ticket so that Isabel could use them to escape. Maggie's act then can be chalked up to infatuation, but her return now is more difficult to understand. In any case, once she has had leisure to relive her quasi-erotic experience, she's abruptly released—to go back to her family a grateful and perhaps wiser woman. Flat descriptions of dusty roads and crumbling villas alternate with the purple prose of Isabel's dramatic life story, giving the reader a sharp sense of place and character but little else of substance. Not this masterful author's best work.

Pub Date: May 1, 1996

ISBN: 0-385-47198-X

Page Count: 272

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1996

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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