Serenely calibrated, pleasant and heartfelt.
Rambling author Morris (Revenge, 2004, etc.) hires a houseboat and captain to take her down the Mississippi on the trail of Mark Twain and the father she missed.
Restless in middle age, with a newly empty Brooklyn nest (daughter Kate had recently left for college), Morris decided it was time to shake her anxiety and prescription drugs for a travel adventure she could make into a new book. She located the River Queen, a sturdy, grime-ridden boat dry-docked near La Crosse, Wisc., and struck a deal with its hard-of-hearing captain, Jerry. Together with the ship’s mechanic Tom and his beloved little black dog (who snarled and lunged at Morris), they eventually got it together and took off downstream two weeks after Hurricane Katrina. It was a poignant journey for Morris, who grew up in Chicago, went East for college in the mid-1960s and never looked back. Her father, who died in 2005 at the age of 102, used to sell ladies’ garments at Klein’s Department Store in Hannibal, Mo., Mark Twain’s legendary hometown. Dad later moved to Illinois and got rich creating the first Midwestern malls, but Morris was raised on his river tales. The trip itself was fairly uneventful, though she was sad to see once-great river towns like Dubuque, Muscatine and Hannibal hollowed by suburban malls. With patient Jerry’s help, Morris learned to steer, navigated the river’s system of locks and dams, endured storms, adjusted to crawling river time and mastered tying a seaman’s knot. Her ineptitude is endearing, as is her need for showers and order on board. Along the way, she offers history about the muddy, meandering river and her angry, aphorism-spouting, toupee-wearing father.
Serenely calibrated, pleasant and heartfelt.Pub Date: April 3, 2007
ISBN: 0-8050-7827-4
Page Count: 288
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2007
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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