Bursts with quirky spirit and gleeful comic energy.
A series of mostly undelivered letters from a vegan Whole Foods deli maid and Goddess worshiper to her slacker ex-boyfriend.
“Dear Everett, Perhaps I’ve invited you to move into my spare bedroom against my better judgment.” Judgment is not the long suit of Poxy Roxy—so dubbed by her evil supervisor, Dirty Steve, during a bout with chickenpox. Feeling adrift, she turns to columnist Dear Sugar for advice. “The best thing you can possibly do with your life is tackle the motherfucking shit out of it,” says Sugar, and to Roxy, this means organizing a campaign to take down the Lululemon store that is moving into the space once occupied by her beloved Waterloo Video—because Lululemon is not a funky local business. Meanwhile, she's right across the street at the behemoth Whole Foods flagship store, which erased the character of this supposedly historic intersection when it opened in 1980. Well, it used to be a funky local business, before Roxy was born. Only animal rights is a stronger motivator for Roxy than confused anti-corporate nostalgia. “Thank Goddess that Spider House is still going strong, despite the fact that Starbucks stores have spread through the city faster than an STD in a retirement home.” A clitoral masturbation cult, romantic liaisons with a skateboarder and a drummer, a feud with her meth-head neighbors, the near death of her weiner dog due to choking on the crotch of her pleather underpants—the predicaments never stop for our millennial heroine. Lowry is the heir apparent to Sarah Bird, whose comic novels Alamo House and The Boyfriend School perfectly captured the Austin of the 1980s. Roxy would love them. We will always remember this as the book that taught us the word “kyriarchy.” Look it up.
Bursts with quirky spirit and gleeful comic energy.Pub Date: April 7, 2020
ISBN: 978-1-9821-2143-3
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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