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WILDFIRE

Lowry’s novel portrays the rich life and culture of a hotshot crew but struggles to make that world’s inhabitants equally...

After failing out of college in her final semester, Julie joins a forest firefighting crew in this fast-paced novel.

Lowry (The Earthquake Machine, 2011) paints a vivid portrait of life as a hotshot, a firefighter specially trained in wildfire suppression. The Pike Inter-Agency Hotshot Crew must react quickly when a burning tree falls in the wrong direction or a walkie-talkie runs out of batteries. In such scenes of true-to-life suspense and well-rendered detail, it's easy to forget this is a novel and not a work of nonfiction. Indeed, the writing is strongest where it reveals the extreme physical endurance of and deep camaraderie that forms in a hotshot crew. Julie’s personal story, by comparison, is far less convincing. In the prologue, Julie explains her obsession with fire: “After my parents died I started to set things on fire.” When she's forced to quit her pyromania, Julie starts binging and purging as a coping mechanism. After joining the Pike crew, Julie is still sneaking out after dinners to throw up. Despite the depth of her psychological struggles, her compulsions fade away without ever being discovered, confronted or treated directly. Julie's social situation feels similarly thin. As the only woman on the crew, she fights predictable sexism to gain acceptance from her team. One particularly closed-minded hotshot, Tan, only warms toward Julie after she saves his life. Julie's story is rife with melodrama and overused tropes: She falls for a crew member, reconciles with her controlling grandmother and beats the boys at their own game multiple times. The seams show around the obvious plot devices. When Bliss appears in their camp, Julie feels threatened by the presence of another woman; after the two become friends, Bliss has served her purpose and is never heard from again. Characters are fairly flat, and when the story reaches its tragic ending, the reader knows it's coming and remains unmoved.

Lowry’s novel portrays the rich life and culture of a hotshot crew but struggles to make that world’s inhabitants equally real.

Pub Date: Oct. 7, 2014

ISBN: 978-1-62914-497-9

Page Count: 288

Publisher: Skyhorse Publishing

Review Posted Online: Aug. 23, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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