After failing out of college in her final semester, Julie joins a forest firefighting crew in this fast-paced novel.
Lowry (The Earthquake Machine, 2011) paints a vivid portrait of life as a hotshot, a firefighter specially trained in wildfire suppression. The Pike Inter-Agency Hotshot Crew must react quickly when a burning tree falls in the wrong direction or a walkie-talkie runs out of batteries. In such scenes of true-to-life suspense and well-rendered detail, it's easy to forget this is a novel and not a work of nonfiction. Indeed, the writing is strongest where it reveals the extreme physical endurance of and deep camaraderie that forms in a hotshot crew. Julie’s personal story, by comparison, is far less convincing. In the prologue, Julie explains her obsession with fire: “After my parents died I started to set things on fire.” When she's forced to quit her pyromania, Julie starts binging and purging as a coping mechanism. After joining the Pike crew, Julie is still sneaking out after dinners to throw up. Despite the depth of her psychological struggles, her compulsions fade away without ever being discovered, confronted or treated directly. Julie's social situation feels similarly thin. As the only woman on the crew, she fights predictable sexism to gain acceptance from her team. One particularly closed-minded hotshot, Tan, only warms toward Julie after she saves his life. Julie's story is rife with melodrama and overused tropes: She falls for a crew member, reconciles with her controlling grandmother and beats the boys at their own game multiple times. The seams show around the obvious plot devices. When Bliss appears in their camp, Julie feels threatened by the presence of another woman; after the two become friends, Bliss has served her purpose and is never heard from again. Characters are fairly flat, and when the story reaches its tragic ending, the reader knows it's coming and remains unmoved.
Lowry’s novel portrays the rich life and culture of a hotshot crew but struggles to make that world’s inhabitants equally real.