Pair with Cambria Evans’ Bone Soup (2008) or Kazuno Kahora’s Ghosts in the House! (2008) for some fantastic, not-so-scary...
An enjoyable New Orleans tale featuring a most un-frightening ghost.
Fred has the perfect life, for a ghost. He putters around his dusty, dreary, dilapidated New Orleans home, happy with the company of one small cactus. But suddenly, two strangers—a man named Pierre and his daughter Marie—arrive and begin renovations in earnest. They turn the old house into a spic-and-span restaurant ready to serve up fine Cajun and Creole fare. Once the first guests have arrived, Fred tries to drive them away, putting on his most terrible ghostly show, moaning, wailing and tossing food about. To his great disappointment, the diners are not scared off. In fact, they begin to cheer and proclaim the haunted restaurant a resounding success. Frustrated, Fred decides to give up and vacate his home, but Pierre and Marie think the house is big enough to share. Pierre whips up some Powdered Ghost Puffs, much like beignets, for Fred while Maria prepares a special room for him, complete with leaks, dust and squeaky floors. And they live—or at least exist—happily ever after. The interplay among the characters is great: When Marie spots Fred sadly leaving and asks if he is the ghost, he responds, "What did you expect?… A floating sheet?" Castelao’s illustrations have an ethereal, quirky quality that complements the story, and the details she includes help anchor its New Orleans setting.
Pair with Cambria Evans’ Bone Soup (2008) or Kazuno Kahora’s Ghosts in the House! (2008) for some fantastic, not-so-scary ghostly fun. (author’s note) (Picture book. 4-8)Pub Date: Sept. 27, 2011
ISBN: 978-0-375-86207-6
Page Count: 32
Publisher: Random House
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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