A slight story that runs on high but falls flat.
Three title characters in search of a friend.
A bespectacled, ponytailed White kid frantically informs two ducks and one moose who are busy playing cards that Goose is gone. In a state of great agitation, they set out in search on Big Moe, a tractor. On the road, two sheep and a donkey point to the right and send them through a gate. The increasingly befuddled moose, ducks, and kid perilously but unsuccessfully try to retrieve a key but are thwarted by angry wasps that “Sting! / Stang! / Stung!” the crew. Back home in the bathtub and then bed, the bovine and fowl commiserate with one another. But then thrills and happiness erupt as Goose—who has been surfing—returns home. Sharp-eyed readers will, of course, deduce where Goose has been all along from the illustration on the title page. The characters frequently speak in triplicate in the rhyming, dialogue-only text, as in “Run, run, run!” and employ sound effects as in “Baaa, Baaa, Neeeeeigh!” The rhythm and word repetition might appeal to emergent readers, but they will wonder why the kid gets involved in the first place and how it is that the ducks and moose don’t know about Goose’s clearly planned vacation. (This book was reviewed digitally with 8-by-20-inch double-page spreads viewed at 55.8% of actual size.)
A slight story that runs on high but falls flat. (Picture book. 3-5)Pub Date: March 23, 2021
ISBN: 978-0-358-31349-6
Page Count: 40
Publisher: HMH Books
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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