From acclaimed novelist Mary Wesley (Haphazard House, 1993) comes this smug, obnoxious YA novel set in the contemporary English countryside. Kate is given a bullfinch by her big sister Angela; one day, Kate learns that the pet—called Mr. Bull—and all the other animals she comes in contact with are actually able to talk. But rather than maximizing the marvelous juxtaposition between the well-observed realism with which Kate's life is described and the magical possibilities offered by a world in which all the animals, domesticated and feral, speak a perfectly comprehensible and even witty English, Wesley just glosses over this marvel to present a plodding, quasi-morality play about animal rights. The plot—which involves getting all the animals to warn other species about upcoming hunts and so forth—is muddled to the point of utter tedium. Eventually Kate and Angela's parents and various adult members of the community are drawn into the struggle, as are a pair of neighboring children, Andrew and James. But none of the characters comes to life; most interesting is Mr. Bull, who is unfortunately confined to saying and doing very little. Despite its delicious premise, Speaking Terms is a crashing bore. Readers will turn away long before the end, which is confusing and wholly without dramatic import. (Fiction. 12+)
Pub Date: Aug. 1, 1994
ISBN: 0-87951-524-4
Page Count: 128
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
PERSPECTIVES
Witty and funny, with well-rounded characters who face complex inner moral issues.
In a world dominated by order, chaos threatens to upend tradition when unlikely competitors are chosen to fight for the throne.
Emperor Erasmus is dead, leaving the Great Dragon to decide the future of the Etrusian Empire. Traditionally, the oldest child from each of the five Houses and his or her dragon compete for the throne. However, this time outsiders are called to compete: Chara and her rider, Emilia, youngest daughter of House Aurun, who holds the magic of chaos; Tyche and her rider, Lucian, reformed warrior of House Sabel; Karina and her rider, Vespir, the lowborn, lesbian servant girl and dragon handler of House Pentri; Dog and his rider, Ajax, the wily illegitimate son of House Tiber; and Minerva and her rider, Julia, who are challenged by Hyperia, who believes the throne is her birthright, and her feral dragon, Aufidius. During the stages of the Emperor’s Trial—the Hunt, the Game, the Race, and the Truth—each competitor faces their own personal weaknesses. Multiple perspectives create depth in this complex fantasy world with flawed human characters who have murder, destruction, thievery, and cowardice in their backgrounds. Cluess’ dragons have unique personalities and voices of their own, becoming as central to the story as their human riders. Most characters are cued as white; blonde hair and blue eyes are valorized. Vespir’s lesbian identity is neatly and naturally woven into her character.
Witty and funny, with well-rounded characters who face complex inner moral issues. (map) (Fantasy. 12-16)Pub Date: May 12, 2020
ISBN: 978-0-525-64815-4
Page Count: 448
Publisher: Random House
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
Too much hat, not enough cowboy.
A dystopian flip of colonialism mixes with horses on fire.
In the Empire, the dark-skinned Ashlords are a minority but have all the power. Each year they stage a spectacular multiday race on phoenixes—horses that rise from ashes at dawn only to die in flames each night. Pippa, the teen daughter of former winners, is this year’s favorite, but she’s challenged by Adrian, a tough Longhand cowboy from an oppressed group of rebels, and Imelda, the lone Dividian given free entry into the contest. The light-skinned Dividian were invaders who failed to conquer and who now live subject to the Ashlords (who credit their superiority to the intervention of their many gods). Phoenixes can have magical powers, depending on what you add to their ashes. It’s a lot of stuff crammed into one novel. Reintgen (Saving Fable, 2019, etc.) fits it all in, mostly (the gods never do make sense), with economical, crisp writing, at the expense of character development and overall clarity. The most well-developed relationship, between Imelda and her friend Farian, is abandoned after the first chapters. The worldbuilding falters, too: They have sophisticated computerized technology, including holograms and video streaming, but rely on horses and carriages for all transportation. It requires close reading to understand that the pale, invading Dividian majority are oppressed; the facts are told piecemeal without the analysis that might have given readers insights into our own world's history of colonialism
Too much hat, not enough cowboy. (Fantasy. 13-18)Pub Date: Jan. 21, 2020
ISBN: 978-0-593-11917-4
Page Count: 368
Publisher: Crown
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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