Memoirist Hornbacher (Wasted, 1988) dilutes the impact of her sensitively told story through overdoses of cuteness and...
A poignant but soft-centered debut novel about family loss and survival.
In rural Minnesota, Kate (6) and Esau (12) grow up aware of mental illness in their family. Their aunt committed suicide, her history pointing forward to the story’s twin axes. Their father, Arnold, has forsaken work for a life of drinking, and Esau is having “episodes” that deepen to delusional behavior, leading to his incarceration in State, the local mental hospital. Under this pressure, his parents’ originally satisfactory but now strained marriage cracks. At Christmas, after an unhappy visit to Esau, Arnold shoots himself. His widow, Claire, takes Kate and spends a while with her surprisingly supportive in-laws. She isn’t ready to tell Esau of his father’s death, or to enter the room where it happened. But as spring arrives, Esau is strong enough to come home and be told the truth. The narration is shared among Kate, Claire, and Esau, and we learn of the boy’s unusually tolerable time at State: colorful but endearing inmates, kindly staff. At home again, he struggles to be well, aided by preternaturally helpful Kate. Together, the two support Claire, who is relying on drink and her friendship with Donna—the mother of Kate’s best friend—to get through. Claire and Donna discuss weak husbands and failing marriages, subjects Donna understands, being married to Dale, an unhappy Korean War vet who has also taken to drink. One exception to this run of weak, dissolute males is Frank, the local bar-owner, who possesses both a library and a button collection. He and Claire begin to date, causing some anxiety among the children. Donna is also seeing another man, creating greater anxiety in Dale. On the night Claire consummates her relationship with Frank, Dale commits suicide too. But Kate’s epilogue reveals a happier future for her family.
Memoirist Hornbacher (Wasted, 1988) dilutes the impact of her sensitively told story through overdoses of cuteness and foreboding.Pub Date: Feb. 1, 2005
ISBN: 0-06-019226-7
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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