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MR. TANEN’S TIES RULE!

Third time’s not the charm for the Principal with the world-class cravat collection. Mr. Tanen may own 998 “wild and crazy” ties, but on Career Day, he goes for the unbuttoned-collar look, as students and faculty switch roles—just before a Federal Official pays an unscheduled call. Accompanied by a comically dismayed Superintendent, the inscrutable, neatly coifed Mrs. Harding takes notes as she sees children washing windows, serving tuna-and-peanut-butter tacos for lunch, leading classes and finally, welcoming her into the tie-strewn Principal’s office. But not to worry: given a note excusing him from Gym, Mr. Tanen hurries in to explain it all, and Mrs. Harding declares Lynnhurst School the winner of a national award. Gaily colored neckties flutter through a set of splashy watercolor school scenes, but can’t rescue the sketchy, predictable plot. Still, aside from the episode’s two predecessors and the likes of Stephanie Calmenson’s Principal’s New Clothes (1991), principals rarely get good press—and the students here do respond to the mini-crisis with calm common sense. (Picture book. 6-8)

Pub Date: March 1, 2005

ISBN: 0-8075-5308-5

Page Count: 30

Publisher: Whitman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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