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WHAT I LOVE ABOUT CHRISTMAS

A warm if not very ecumenical dose of holiday cheer, with some unobtrusive guidance for young makers and helpers.

Flaps, pull-tabs, and wheels add interactive elements to this celebration of Christmastime.

The (entirely secular) activities themselves are standard-issue—ranging from cutting and decorating a tree to “building snowmen,” decorating cookies, wrapping gifts, singing carols, and standing in line to sit on Santa’s lap. What sets this apart from the crowd of pre-Christmas panegyrics is an unusual focus on process: the art on the front of a handmade card, for instance, shows the steps in drawing the simple reindeer within; turning a wheel displays through a shaped cutout a cookie going from plain to decorated, and on the verso a tree going through the same stages. The cozy cartoon illustrations feature a family of brown bears in human dress headed by a mother and father, but more-diverse groups of wildlife and livestock put in appearances for caroling and standing in line. “With all the things to see and do,” Cocca-Leffler concludes in a pop-up Christmas morning scene, “what I love BEST about Christmas… / …is time with YOU!”

A warm if not very ecumenical dose of holiday cheer, with some unobtrusive guidance for young makers and helpers. (Novelty/board book. 3-5)

Pub Date: Oct. 18, 2016

ISBN: 978-1-4549-1820-2

Page Count: 22

Publisher: Sterling

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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