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SLEEP, BABY, SLEEP

Soft watercolor illustrations and soothing rhymes encourage baby to rise, soar, laugh and shine. Adapted from a Mother Goose poem, this exhortation delivers hushed good wishes while emphasizing character traits that make for a happy life. Children should shine “like the firefly who glows / no matter how the darkness grows.” Love’s language lulls using a rhyme scheme and syllabic stresses that establish a comforting cadence, much like a rocking chair’s gentle beat. Her melodic messages may, however, exceed the scope of a tiny child’s understanding. Sometimes the language grows so sentimental it becomes clunky and a bit sappy: “From our arms you’ll go / unfurling like a butterfly….” Van Lieshout’s wonderfully saturated watercolors achieve greater success expressing parental love and the promise of a life well lived. Loose, self-assured black brushstrokes appear on swaths of graduated color, carving out shapes (horses, dogs, flowers, ducks) with economy. Fireflies blink, doves coo, a hound shakes his jowls. While words melt away into simple rhythms, the atmospheric artwork pinpoints ineffable feelings—the sense of freedom brought on by a breeze, the possibility invoked by starlit sky. (Picture book. 1-3)

Pub Date: Oct. 1, 2009

ISBN: 978-0-399-24753-8

Page Count: 32

Publisher: Philomel

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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MERRY CHRISTMAS, LITTLE POOKIE

The small size, a predictable winter adventure, and Boynton’s very toddlerlike character make this a fine stocking stuffer...

Seven years after Little Pookie (2011) first appeared, this popular piglet is finally celebrating Christmas.

“Oh Pookie! Come look! It’s beginning to snow,” says a maternal-looking pig. But where did Pookie go? Past the Christmas tree, to put on a snowsuit of course. Pookie’s ever cheerful mama is willing to go out too. After all, “It’s a magical time to be walking with you.” When she observes, “Our noses are frozen. It’s time to go in,” Pookie protests in typical toddler style: “But I’m not c-c-c-cold!” The next three pages highlight indoor holiday preparations—making paper garlands, baking and decorating cookies. The rhyming text mirrors the spare illustrations. A spidery type that emulates handwriting makes it clear when Pookie is speaking. Then “the doorbell is ringing. / Our family and friends have arrived for the singing.” The second-to-last spread shows Pookie, mama, and six other pigs—and Boynton’s requisite chicken—singing (“Con brio”), “MER-RY CHRIST-MAS! MER-RY CHRIST-MAS! AND A HAP-PY NEW YEAR!” Conveniently, this text is placed beneath the musical notation. Finally Pookie hangs a stocking and goes off to bed without any fuss, anticipating presents on Christmas morning.

The small size, a predictable winter adventure, and Boynton’s very toddlerlike character make this a fine stocking stuffer or an ideal Christmas Eve read to share with other little piggies. (Board book. 18 mos.-3)

Pub Date: Sept. 18, 2018

ISBN: 978-1-5344-3724-1

Page Count: 18

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE ITSY BITSY BUNNY

Leave the hopping to Peter Cottontail and sing the original song instead.

An Easter-themed board-book parody of the traditional nursery rhyme.

Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.

Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)

Pub Date: Jan. 5, 2016

ISBN: 978-1-4814-5621-0

Page Count: 16

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: July 1, 2016

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