A flawed debut; nevertheless, a promising new voice.
A woman artist in 1935 Massachusetts negotiates the Great Depression, sex discrimination and anti-Semitism while seeking self-expression.
Desdemona Hart married Asa Spaulding, a prosperous, landowning pharmacist in Cascade, Mass., a once-vibrant resort town, for security. When her father, the impresario who made Cascade’s Shakespeare Playhouse a magnet for theater mavens from Boston to New York, lost everything, including the family home, in the crash, Dez had no other choice. Shortly after confessing that he’s willed the now-shuttered playhouse to Asa, in gratitude for his hospitality, her father dies. His only legacy to Dez is a locked casket, which she is instructed only to reopen when the playhouse does. That event is unlikely, though, because the state water commission has long had its eye on Cascade as a site for a new reservoir to supply perennially parched Boston. Although some will profit from eminent domain, most townsfolk oppose the project, which will flood Cascade. Dez pitches and sells a series of illustrations of the ongoing crisis to a national magazine. In a last-ditch effort, Asa tampers with a dam on his property, hoping that the commissioners will pick another town. Dez and her artist soul mate, Jacob Solomon, one of Cascade’s few Jewish residents, happen to have been trysting near the dam where, later, a water surveyor’s body will be found—apparently he fell and drowned while investigating. Witnesses place Jacob at the scene, and after Dez explains their presence there, he is exonerated, but her marriage to Asa is doomed. Since her ambition was to move to New York (where Jacob is also bound), the breakup is timely. In New York, Dez has a chance to realize her goals but at the cost of romantic entanglements. O’Hara excels at describing Dez’s two-dimensional images—her three-dimensional humanity, less so. Promising conflicts, such as Cascade’s prejudice against Jacob (echoing in microcosm the persecution of Jews in Nazi Germany), fizzle or turn into afterthoughts.
A flawed debut; nevertheless, a promising new voice.Pub Date: Aug. 16, 2012
ISBN: 978-0-670-02602-9
Page Count: 368
Publisher: Viking
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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